It may not be first class, but Hijack is certainly not the budget airline equivalent of summer streaming fare. Still, Hijack is the kind of entertainment Elba was born for: He’s an actor whose physical presence and emotional intensity is perfectly suited for wrestling back control of a big, dangerous metal tube hurtling through the sky. The only real issue is its length-at just over five hours, it could probably benefit from losing one and refining its dramatic pulse to an unbearably tense, clipped runtime. It’s an upscaled ‘90s thriller, made by people with deep affection for the finest era of Hollywood crowd-pleasers. This is nuts-and-bolts escapism, a show that colors its characters just enough to deliver the rollercoaster thrills of a high concept premise, and cleverly written to ensure a satisfactory conclusion to its narrative crisis.
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The limited series thriller stars Idris Elba as a mediator who finds his skills put to the test when his Dubai to London flight is taken over by armed gunmen, and is refreshingly frank about its goals. The Buccaneers may not give all the permutations of the girls’ friendships equal screentime, but their bond is the emotional linchpin that holds the show together, and in a genre that is often laser-focused on romantic love beyond all else, it’s joyous to behold. It is a period drama that is unabashedly for and about female viewers, one that recognizes that, even within a traditional story about finding a handsome man with a sizable estate to marry, there must be space for other kinds of female experiences and relationships. And while the series features multiple romances, its focus remains squarely on the complex, often messy relationships between the young women at its center, who are allowed to be brash, cruel, strident, warm, selfish, and exuberant by turns. The dresses are colorful, the soundtrack is thoroughly modern (and features more than one Taylor Swift track), and the scenery is absolutely stunning. This Buccaneers clearly takes many of its visual and narrative cues from shows like Netflix’s Bridgerton rather than the original Masterpiece adaptation of Wharton’s novel, embracing an intersectional sort of female empowerment that features diverse casting, queer subplots, and sisterhood above all. Elsworth (Viss Elliot Safavi) try to get them to come to their parties. The daughters of the industrial nouveau riche, their families are sneered at by the old money New York elite, no matter how hard Mrs. George, Conchita Closson (Alisha Boe), and Mabel (Josie Totah) and Lizzy (Aubri Ibrag) Elmsworth-whose loyalty above all is to one another. The eight-part series, based on Edith Wharton’s unfinished final novel of the same name, follows the stories of five best friends-Nan (Kristine Frøseth) and Jinny (Imogen Waterhouse) St.
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And even though Apple is spiking its price (now increasing from $6.99 to $9.99), there are still a number of shows worth subscribing for, from its under-the-radar gems like Bad Sisters and Schmigadoon! to break-out hits like Ted Lasso and The Morning Show.īelow, we’ve ranked 30 notable originals, minus the documentaries and more kid-oriented programming (like Helpsters and Ghostwriter, which we weren’t thrilled with anyway), but we did keep Snoopy because Snoopy is a national treasure and his series on Apple TV+ are genuinely very good.
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They’re not all great, but at this rate, we’ll soon be able to forget The Mosquito Coast ever existed. The early criticism that plagued a lot of its shows-that for all of their beauty, they didn’t have a lot of substance-is giving way to praise for series with compelling narratives. And, maybe most importantly, out of its many originals, only a few have been canceled without a proper conclusion, a striking rarity in today’s tumultuous streaming climate. Since then, the streamer has made a name for itself through its biggest hit, Ted Lasso, and its ambitious sci-fi offerings in particular.
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Grounded by one of the world’s largest tech companies and with little IP under their umbrella, the seemingly endless supply of resources and remarkably fresh ideas has allowed Apple TV+ to thrive in comparison to its IP-laden and debt-saddled peers.Īt launch in 2019, Apple TV+ burst onto the scene with the Emmy-magnet The Morning Show, Jason Momoa’s sci-fi epic See, and the off-beat comedy Dickinson. In its relatively short lifespan, Apple TV+ has already cultivated a storied history and an interesting library of shows to go along with it.